Ballet is completely unnatural to the body, just being turned-out… it’s not the way your body is supposed to function, so you actually train your body to be a different structure than you were born with.

Because I had hip problems, that leads to everything else-my knees, my ankles, my shins, my back, everything.

Because I’ve been a dancer and I’ve been through everything that they’ve been through and I understood their world, they were happy to see someone who had been in it.

Being involved with the crew and getting to know them and getting to know the cameramen and the editors and all that moves me towards doing that.

Dance is certainly a sport, and they are phenomenal athletes, and they’re also artists.

Dance is my passion and my first love in art, and I’d felt there’d never been a film made about the world of dance itself.

Dance is very, very old. With Louis XIV at Versailles is where ballet started.

Financially, I’m OK, my career’s OK.

For a long time I was told to be concerned about people’s idea of me regarding the choices I was making and what it would do to my career.

I broke my rib. I was training with my coach on the Funny Valentine piece. The way that my coach lifted me, he cracked my rib.

I dislocated my knee during the process of training to do the movie. I was hiding a brace.

I don’t know how people can live without a therapist.

I find the most interesting and most daring scripts tend to be for independent films.

I had nine years off from dancing consistently, but I haven’t been with the National Ballet School since I was 14.

I have dancers come up to me and thank me for representing their world the right way.

I just moved to London. Showtime offered me to do some films for them, but I would really rather find something that means a lot to me.

I look back five years ago, when I thought I was adult and knew everything about the world, and I realize I knew nothing.

I love New York. I love the multicultural vibe here. Los Angeles doesn’t inspire me in any way. Everyone is in the same industry, yet you feel very isolated.

I miss being on the floor in the studio in the morning and being tired and sore. I’m used to the smells, the sound, to having that time with myself and with my body. It’s almost like a form of meditation.

I never started out making The Company thinking it was going to make money. You don’t make a film with that much style, that much freedom and with such a little narrative and hope to make money.

I started doing eight and a half hours of training a day for four and a half months, and then got to Chicago to work with the Joffrey for a month and a half again, eight hours a day, to learn all the ballet.

I suffered from a lot of injuries when I was younger, and I was always struggling with my body. Dancing is hard. I kept getting injured.

I think my greatest insecurity would just be standing in the middle of the room and having everyone watching me think that’s what I want. If I am interesting to you because of who I am, then that’s incredible. But if I’m interesting to you only because of what I am, than lets not bother, you know?

I think teenagers in the States grow up too fast. In Canada, kids are exposed to different things. Like school is very different; it’s not nearly as social. Canadian teenagers see it as a much more serious place.

I think we all have been underestimated and manipulated to some extent, so we get that moment in our minds where we wish we could be dark and get back at those people.

I think we were lucky that we were able to make a good trilogy.

I want to be around people that inspire and push me.

I want to do some theater. During the strike we’re allowed to do plays.

I want to do work that is interesting, that challenges me.

I was really concerned about SCREAM 3 being too similar to the first two-that’s why I put in my contract that I would only shoot 12 days.

I wasn’t very good a communicating as a kid. I wasn’t very good at speaking my mind, and I went through some challenges as a kid with my family, as we all do.

I went through a slew of different choreographers and got tapes of different dance pieces and different choreographers and wanted to choose a style that I would feel comfortable with.

I’m just one of those people that if I sit down to watch a horror film, I put my hands over my face and I cry a lot and I don’t see half of the film because I’m too upset.

I’m worried about the strike for other people. I don’t think people will forget who I am, but that could happen to new faces.

I’m writing a script-a romantic drama, but I don’t want to give too much of it away. I’m also writing a long story for a dance movie that I’m doing.

I’ve done well in acting. But I guess when you look at the numbers and the odds of actually doing well, it’s virtually impossible to get to the place that I’m at.

I’ve never been opposed to nudity. I’ve been opposed to nudity for box-office draw.

If you look at European films you see a lot of nudity, and you don’t question it, because you’re looking at people who just exist.

If you’re in a company, you’re dancing from 9 a.m. till 7 in the evening, and then you go home and get in a hot tub and get some Epsom salts and try to get your body goin’ again. There’s no social life, no anything.

In New York you’re always in everyone’s face. Life comes to you.

I’m writing a script-a romantic drama, but I don’t want to give too much of it away. I’m also writing a long story for a dance movie that I’m doing.

I’m writing a script-a romantic drama, but I don’t want to give too much of it away. I’m also writing a long story for a dance movie that I’m doing.

I’m writing a script-a romantic drama, but I don’t want to give too much of it away. I’m also writing a long story for a dance movie that I’m doing.

I’m writing a script-a romantic drama, but I don’t want to give too much of it away. I’m also writing a long story for a dance movie that I’m doing.

I’m writing a script-a romantic drama, but I don’t want to give too much of it away. I’m also writing a long story for a dance movie that I’m doing.

I’m writing a script-a romantic drama, but I don’t want to give too much of it away. I’m also writing a long story for a dance movie that I’m doing.

I’m writing a script-a romantic drama, but I don’t want to give too much of it away. I’m also writing a long story for a dance movie that I’m doing.